Movies

OUR SHOWS
Desis Live Editorial Desk

PANKAJ TRIPATHI’S “MURDER MUBARAK” IS A SURE SHOT WINNER FOR NETFLIX

Just days before the election, the serene atmosphere of a posh Delhi club is shattered by the sudden death of a muscular Zumba instructor, initially dismissed as an unfortunate gym mishap. However, a seasoned detective, known for his unorthodox investigative approach, senses mischief and embarks on a quest to uncover the hidden layers of the case.

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OUR SHOWS
Desis Live Editorial Desk

SIDDHARTH MALHOTRA’S “YODHA” FAILS TO SAVE THE WORLD EVEN WITH IT’S LOGIC

Despite any leniency viewers might extend, or their affinity for Sidharth Malhotra, “Yodha” struggles to maintain coherence, veering erratically from one narrative hiccup to the next. The film toys with the laws of aviation to an absurd degree, suggesting passenger planes can be easily manipulated by its characters, a notion that stretches believability to its limits.

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OUR SHOWS
Desis Live Editorial Desk

PANKAJ TRIPATHI SHINES EFFORTLESSLY IN “MAIN ATAL HOON”

The film does acknowledge Vajpayee’s critiques of Congress and his respect for Nehru, offering moments of ideological reflection reminiscent of a less polarized era. Yet, it remains a missed opportunity to delve deeper into the nuances of Vajpayee’s legacy, ultimately providing a surface-level recounting of his contributions and challenges. 

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OUR SHOWS
Desis Live Editorial Desk

AJAY DEVGN’S “SHAITAAN” FAILS TO LEAVE A LASTING IMPRESSION

Shaitaan, directed by Vikas Bahl, blends these elements with an excessive dose of supernatural themes, diluting its impact and rendering it somewhat hollow. The presence of an unwelcome visitor (R Madhavan) at a secluded farmhouse, with intentions obscured by dubious mystical practices, feels like a retread of dated narratives rather than a fresh horror proposition.

Read More »
OUR SHOWS
Desis Live Editorial Desk

PANKAJ TRIPATHI’S “MURDER MUBARAK” IS A SURE SHOT WINNER FOR NETFLIX

Just days before the election, the serene atmosphere of a posh Delhi club is shattered by the sudden death of a muscular Zumba instructor, initially dismissed as an unfortunate gym mishap. However, a seasoned detective, known for his unorthodox investigative approach, senses mischief and embarks on a quest to uncover the hidden layers of the case.

Read More »
OUR SHOWS
Desis Live Editorial Desk

SIDDHARTH MALHOTRA’S “YODHA” FAILS TO SAVE THE WORLD EVEN WITH IT’S LOGIC

Despite any leniency viewers might extend, or their affinity for Sidharth Malhotra, “Yodha” struggles to maintain coherence, veering erratically from one narrative hiccup to the next. The film toys with the laws of aviation to an absurd degree, suggesting passenger planes can be easily manipulated by its characters, a notion that stretches believability to its limits.

Read More »
OUR SHOWS
Desis Live Editorial Desk

PANKAJ TRIPATHI SHINES EFFORTLESSLY IN “MAIN ATAL HOON”

The film does acknowledge Vajpayee’s critiques of Congress and his respect for Nehru, offering moments of ideological reflection reminiscent of a less polarized era. Yet, it remains a missed opportunity to delve deeper into the nuances of Vajpayee’s legacy, ultimately providing a surface-level recounting of his contributions and challenges. 

Read More »
OUR SHOWS
Desis Live Editorial Desk

AJAY DEVGN’S “SHAITAAN” FAILS TO LEAVE A LASTING IMPRESSION

Shaitaan, directed by Vikas Bahl, blends these elements with an excessive dose of supernatural themes, diluting its impact and rendering it somewhat hollow. The presence of an unwelcome visitor (R Madhavan) at a secluded farmhouse, with intentions obscured by dubious mystical practices, feels like a retread of dated narratives rather than a fresh horror proposition.

Read More »
OUR SHOWS
Desis Live Editorial Desk

CRAKK IS SO CRACKED UP THAT IT CRACKED US UP

Directed by Aditya Datt, “Crakk: Endgame” promises an adrenaline-pumping ride through the world of extreme sports, interlaced with a narrative of international espionage, underground competitions, and a deeply personal quest for revenge. Jammwal, who is known for his physical prowess and ability to perform death-defying stunts without a double, plays the protagonist with a tormented past, seeking redemption and justice in a world brimming with corruption and deceit.

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OUR SHOWS
Desis Live Editorial Desk

BHUMI PEDNEKAR’S “BHAKSHAK” IS HONEST YET UNIMPACTFUL

Vaishali Singh (Pednekar), a local video journalist, along with her cameraman Bhaskar Sinha (Mishra), stumbles upon alarming evidence concerning a girls’ shelter in Munnawarpur—a name thinly veiled to represent the actual location. Initially hesitant, Vaishali’s investigative zeal is ignited, leading her to embark on a thorough inquiry.

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OUR SHOWS
Desis Live Editorial Desk

SRIRAM RAGHAVAN PULLS ANOTHER WINNER WITH “MERRY CHRISTMAS”

Merry Christman loosely adapts the work of French crime fiction author Frederic Dard, specifically his book “Le Monte-charge,” known in English as “Bird in a Cage.” The story finds a fitting setting in the Christian neighborhoods of 1980s Bombay, with the title symbolically reflecting elements of entrapment and fluctuation central to the plot.

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