Dav Patel is set to headline and executive produce The Key Man, a limited series telling the story of disgraced financier Arif Naqvi. Set in the Middle East, the project hails from Miramax Television. It is part of the company’s increased international focus, signaled by the hire three years ago of former NBCUniversal International Studios executive Marc Helwig — who has deep European TV industry ties — as Miramax’s Global Head of Television.
Mining the indie studio’s library of IP has been a big priority for Helwig and his team who have shepherded series projects based on such Miramax movies as The Gentlemen, Confessions of a Dangerous Mind, Gangs Of New York, Chocolat, The English Patient and Prêt-à-Porter, and have mounted a revival of Miramax TV’s first unscripted series Project Greenlight.
The filmmakers behind some of the movies are also involved in the TV adaptations, including The Gentleman writer-director-producer Guy Ritchie, who is a writer, director and executive producer on the Netflix series of the same name, and Gangs of New York director Martin Scorsese who is attached to executive produce and direct the potential series offshoot.
The Key Man is joining a significant portion of Miramax Television’s series that are being developed and produced internationally, including The Gentlemen, which has been filming in and around London; and Chocolat, which is being developed as a French-language TV series with Mediawan; as well as several series based on book IP rather than Miramax library titles, The Turkish Detective for Paramount, which wrapped production in Istanbul; The Henna Artist with Freida Pinto at Netflix, which would be filmed in India if greenlighted; The Christie Affair, with Daisy Ridley, which is in the works in the UK; and an adaptation of Le Grand Secret (English title: The Immortals), also part of the co-production deal with Mediawan.
“Miramax IP is in its very DNA international facing and so there is a natural opportunity to mine the library for local to global shows,” Helwig said. Additionally, “Miramax is a legacy company built on backing innovative, new voices, and we are recapturing that essence in television with our approach to working with many new and emerging voices in Europe and beyond,” he said.
Miramax is majority owned (51%) by the Qatari beIN Media Group, based in Doha, with Paramount Global holding the remaining 49% stake.
“The next phase of the company will see us create more connective tissue with our parent company in Doha and a stronger focus on MENA-centric drama,” Helwig said.
The Key Man is an example of that.
Based on last year’s bestseller by WSJ reporters Simon Clark and Will Louch, it chronicles how Arif Naqvi (Patel), a charismatic Pakistani businessman who was the founder of Dubai-based private-equity firm Abraaj. Brilliant and inspirational, Naqvi became a global sensation as he built a billion-dollar empire persuading the global elite and titans of industry that the improbable key to solving poverty, hunger and political unrest is through his highly profitable investments. Enmeshed in the world of Popes, presidents, and profits, Arif’s empire came crashing down when his false promises proved to have severe consequences.
Slumdog Millionaire star Patel is making his feature directorial debut with the upcoming Monkey Man for Netflix, whic he also co-wrote and stars in
