Chamkila’s story is that of a lower-caste man rising from poverty, an “ordinary man” who knew the power of delivering what his peers sought.
ACP Avinash Verma (Manoj Bajpayee) and his SCU are called upon by the Commissioner of Police to investigate a mass shoot-out at the Night Owl Bar in Mumbai. Layers begin to peel at something bigger, deeper, and darker at play.
Freddy and Rocky, two expert soldiers, are court-martialed and expelled from the Army for insubordination. The reasons behind their dismissal are murky and only become clear later in the movie. Meanwhile, Freddy is seen working in an oil mine in a desert, and Rocky is depicted fighting a fire and saving a trapped cat in Delhi.
Biotechnology company BF Group produces lab-grown meat. It is also the reason why the group wields incredible power and occupies a large share in the market as well as in the world’s food chain. Naturally, business rivalries follow, with critics, both within and outside the company emerging every day.
Mai Cheng Huan’s mother’s excessive intervention in her daughter’s life-long events accelerated the breakup between Mai Cheng Huan and Xin Jia Liang. Between being filial to her parents and being loyal to herself, Mai Cheng Huan struggled to find a way. She gradually broke away from her mother’s strong care and became more focused and enterprising in her work. Mai Cheng Huan’s transformation has been recognized by her step-grandmother, and she entrusts her with the most important task of hotel management. Yao Zhi Ming, the step-grandmother’s grandson and Cheng Huan’s boss gradually understands and agrees with Mai Cheng Huan during cooperation with her, and the two become closer to each other.
The titular “monkey man” is a persona of gritty underground fighting embraced by Dev Patel’s character, an unnamed man from the slums who conceals his identity with an ape mask and engages in underground brawls. His backstory, revealed through flashbacks, connects deeply with religious narratives, drawing inspiration from his mother’s (played by Adithi Kalkunte) tales of Hanuman, the monkey-like demigod from the Hindu epic, the Ramayana.
The unique appeal of Soumendra and Abhishek Yadav’s screenplay stems from its departure from conventional school drama clichés, offering instead a gripping narrative. The script skillfully juxtaposes the lives of affluent and underprivileged students—the former possessing every advantage but lacking motivation and the latter driven to excel despite facing substantial barriers. A notable thread in the story is the universal challenge of parental expectations.
Na Moon-Young is a former prosecutor and now a lawyer with her husband’s boutique Chawoong Law Firm. One day her husband commits suicide and leaves for her mysterious debts and host of problems she had not seen coming.
Crew is propelled by three determined women who aren’t afraid to challenge the status quo for their own benefit. Yet, they do not overtly preach empowerment or gender equality; instead, they embody these principles through their actions and achievements. Their battle is twofold: against the airline they work for, which has failed to pay them for six months, and against the circumstances of their own lives.
“War of Faith” is an enthralling Chinese drama that transports viewers to China in the 20th century, blending elements of tension, espionage, political contention, and dynamic action
In “Nothing Uncovered,” an intrepid journalist is determined to unearth the truth, even if it pits her against formidable politicians and challenges the patriarchal dynamics at her workplace.
Vikrant Gandhi (played by Vivek Gomber) rises to power as the uncontested leader in Somalia. Yet, undercurrents of unrest threaten to irrevocably alter his destiny. Central to the unfolding drama is the forthcoming elections for the Somalian port and a valuable shipment aboard a hijacked Ukrainian ship carrying an Indian crew.
The film stars Sara Ali Khan as a khadi-wearing freedom fighter challenging the British Empire. “Ae Watan Mere Watan” succeeds in presenting an obscure yet significant story from India’s fight for independence without succumbing to exaggeration.
Just days before the election, the serene atmosphere of a posh Delhi club is shattered by the sudden death of a muscular Zumba instructor, initially dismissed as an unfortunate gym mishap. However, a seasoned detective, known for his unorthodox investigative approach, senses mischief and embarks on a quest to uncover the hidden layers of the case.
Despite any leniency viewers might extend, or their affinity for Sidharth Malhotra, “Yodha” struggles to maintain coherence, veering erratically from one narrative hiccup to the next. The film toys with the laws of aviation to an absurd degree, suggesting passenger planes can be easily manipulated by its characters, a notion that stretches believability to its limits.
The film does acknowledge Vajpayee’s critiques of Congress and his respect for Nehru, offering moments of ideological reflection reminiscent of a less polarized era. Yet, it remains a missed opportunity to delve deeper into the nuances of Vajpayee’s legacy, ultimately providing a surface-level recounting of his contributions and challenges.
‘Showtime’ is a remarkable creation from the minds of Sumit Roy, Lara Chandni, and Mithun Gangopadhyay, offering a compelling exploration of Bollywood’s less-celebrated facets. The narrative thrives on its eclectic mix of elements – from the aspirational journey of a model, the diva-like tantrums of seasoned actors, to the ambitions of a power-seeking producer and the opulent lifestyle of a celebrated superstar amidst scandals and controversies.
“Queen of Tears” embarks on its journey with a compelling blend of comedy and drama, inviting viewers into the chaotic yet endearing world of the Hong family. The inversion of traditional tropes, alongside standout performances by Kim Ji-won and Kim Soo-hyun, sets a refreshing and engaging tone for the series.
Shaitaan, directed by Vikas Bahl, blends these elements with an excessive dose of supernatural themes, diluting its impact and rendering it somewhat hollow. The presence of an unwelcome visitor (R Madhavan) at a secluded farmhouse, with intentions obscured by dubious mystical practices, feels like a retread of dated narratives rather than a fresh horror proposition.
Season two picks up the investigation with police duo DG (Ranvir Shorey) and Tambe (Girish Kulkarni) on the trail of Mr. Kapoor’s (Ashwin Kaushal) killer, amidst new confessions and developments, including Rosie’s entrance into the Sunflower Society. Rosie, a captivating bar dancer who inherits Kapoor’s penthouse, injects more intrigue and complexity into the case, setting the stage for unexpected relationships and plot twists.
Yue Qian Ling has had a crush on Gu Xun for a very long time, she finally confessed her feelings for him as he was about to graduate, but it ends in a rejection. A disheartened Yue Qian Ling vents her frustration in game to her gaming friend, who is secretly happy to learn that she was turned down because he has been crushing on her for a long time even without meeting in person. Who would’ve thought that his crush is actually Yue Qian Ling whom he rejected earlier in the day.
I have read and agreed with the terms and conditions and privacy policy.
in your inbox every week.