MOVIES

RANBIR KAPOOR IS BRILLIANTLY UNHINGED IN “ANIMAL” EVEN WHEN THE RUNTIME TESTS OUR PATIENCE

Ranvijay Singh (played by Ranbir Kapoor) is portrayed as a complex anti-hero, deeply idolizing his father, Balbir Singh (Anil Kapoor). Throughout his childhood, Ranvijay yearns for his father’s affection and approval, but his efforts are met with consistent neglect. This unfulfilled quest for paternal love profoundly impacts his formative years, sowing the seeds of deeper issues that manifest later in his life.

SHILPA SHETTY’S “SUKHEE” IS A DELIGHTFUL DISCOVERY

Sukhee’s journey of introspection and rebellion against domestic constraints, much to the dismay of her husband and daughter, forms the crux of the story. The film thoughtfully depicts the dilemma of self-worth versus societal expectations, particularly through the touching interactions between Sukhee and her father-in-law.

R BALKI’S “GHOOMER” IS A SINCERE, WHOLESOME STORY TOLD

The story revolves around Anina (portrayed by Saiyami Kher), a gifted batter who gets the opportunity to play for the Indian cricket team. However, a tragic accident leads to the amputation of her right arm, shattering her dreams. She loses all hope until Padam Singh Sodhi, also known as Paddy (played by Abhishek Bachchan), a former alcoholic bowler of the Indian cricket team, becomes her coach against all odds.

ALL THAT IS WORTHWHILE IN GANAPATH IS TIGER’S ABS

Thalapati (Amitabh Bachchan), tells us how a destructive war led to the world being divided into two parts – one with the rich and powerful building a luxurious, high-tech Silver City ruled by their heartless king Dalini, and the other with the poor and powerless living in poverty called “Gareebo ki duniya”. Dalapati predicts that a hero will be born to rescue them from poverty and famine and will be known as “Ganapath”.

DHAK DHAK IS A JOYRIDE WITH A FEW HUGE BUMPS

“Dhak Dhak” doesn’t make a show of women’s empowerment; it’s more of a side note. None of these women are out to prove anything to men. Instead, it’s a joyful celebration of womanhood.

RAHAT KAZMI’S “COUNTRY OF BLIND” IS A COMPACT DYNAMO OF AN INDIE

The ethos of the story can be summarized as a reflection on the power of perspective, the limitations of preconceived notions, and the complexity of human adaptation to different environments. It challenges the idea that having sight is inherently superior and suggests that what may seem like a disadvantage can be an advantage within a specific context.

NETFLIX’S BALLERINA ACES AT SATISFYING ACTION IN A REVENGE FLICK

Ok-ju is a highly skilled private security contractor who has only one friend in the world, Min-hee, the titular dancer in the film. Ok-ju discovers that her kind and bubbly companion has committed suicide when she visits one night. Min-hee discovers a letter urging Ok-ju to avenge him on her bed.

VICKY KAUSHAL’S “THE GREAT INDIAN FAMILY” IS POINTLESS

“The Great Indian Family” struggles to confront the challenges within its own narrative. It sanitizes the pervasive atmosphere of casual violence and distrust towards Muslims in the country, presenting it as a temporary predicament for its Hindu protagonist.

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