Shailaja, a middle-aged Mumbaikar, while faced with borderline dementia, asks her husband Dipankar (Swanand Kirkire) to accompany her on a trip to Vengurla, a sleepy hamlet in Maharashtra’s Sindhudurg.
The trio of Imaad Ali (played by Siddhant Chaturvedi), Ahana Singh (Ananya Panday), and Neil Pereira (Adarsh Gourav) are in their 20s, inseparable friends living in a fragile bubble that’s close to bursting. Despite a bustling social life and thrilling adventures, beneath the surface, they’re isolated individuals grappling with an array of issues.
“Sajini Shinde Ka Viral Video” oscillates between being a social drama and a detective story. It delves into the frenetic world of social media, addressing critical issues like slut-shaming and the deeply ingrained patriarchy in society.
Hirani presents the complex issue of illegal immigration by touching upon various perspectives, including humanitarian, legal, economic, and social aspects of the debate; often presenting the case for open borders lucidly.
“Joram” is more than a survival drama; it’s a thought-provoking piece on the repercussions of unchecked development on nature and indigenous communities. It’s a film that not only entertains but also invites reflection on pressing environmental and social issues.
Kadak Singh, streaming on Zee5Global, moves back and forth in time and space. It gives the impression of being repetitive and circuitous. A set of people who have seen the man up close – his daughter, a couple of colleagues, and a friend – provide their individual perceptions of the protagonist, Arun Kumar (AK) Srivastava (Pankaj Tripathi) AK, an officer with the Kolkata unit of a financial crime investigation agency, has been diagnosed with retrograde amnesia.
Zoya Akhtar masterfully meets the challenge, transporting the beloved Archie Comics gang from their quintessential small-town American setting to the vibrant backdrop of 1960s India. In this lively Bollywood rendition, the essence of the original comics is preserved while infusing the characters with a refreshing new vitality. This creative shift makes for an exhilarating comedy that honors the spirit of Archie and his friends while adding a novel and delightful twist.
The film ‘Christmas As Usual’ draws inspiration from the real-life love story of Director, Peter Holmsen’s sister, Mia Holmsen, and her husband, Akshay Chaudhry. The narrative is loosely based on events that unfolded when Mia introduced Akshay to her family during Christmas in 2020.
While “Sam Bahadur” presents an engaging series of vignettes from Manekshaw’s life, it falls short in weaving these into a cohesive and deeply insightful story
Ranvijay Singh (played by Ranbir Kapoor) is portrayed as a complex anti-hero, deeply idolizing his father, Balbir Singh (Anil Kapoor). Throughout his childhood, Ranvijay yearns for his father’s affection and approval, but his efforts are met with consistent neglect. This unfulfilled quest for paternal love profoundly impacts his formative years, sowing the seeds of deeper issues that manifest later in his life.
Sukhee’s journey of introspection and rebellion against domestic constraints, much to the dismay of her husband and daughter, forms the crux of the story. The film thoughtfully depicts the dilemma of self-worth versus societal expectations, particularly through the touching interactions between Sukhee and her father-in-law.
The story revolves around Anina (portrayed by Saiyami Kher), a gifted batter who gets the opportunity to play for the Indian cricket team. However, a tragic accident leads to the amputation of her right arm, shattering her dreams. She loses all hope until Padam Singh Sodhi, also known as Paddy (played by Abhishek Bachchan), a former alcoholic bowler of the Indian cricket team, becomes her coach against all odds.
The impulsive Balli represents the twenty-something version of the brigadier from whose book (The Burning Chaffees) the film is adapted. “Pippa” contains enough drama, but it refrains from veering into overly patriotic grandstanding.
“Tiger 3” excels in action and visual presentation but lacks in narrative depth and character development. It’s a movie that will appeal to action enthusiasts and fans of Salman Khan, but may not resonate as deeply with viewers looking for a more balanced cinematic experience.
The remarkable tale revolves around an IPS officer who faced adversity, having failed his class 12 exams, struggled with odd jobs, slept for just three hours each night, and embarked on four attempts to conquer the UPSC exams.
Tejas is an excruciatingly bland thriller that seems to think that selling patriotism can camouflage its glaring flaws.
Thalapati (Amitabh Bachchan), tells us how a destructive war led to the world being divided into two parts – one with the rich and powerful building a luxurious, high-tech Silver City ruled by their heartless king Dalini, and the other with the poor and powerless living in poverty called “Gareebo ki duniya”. Dalapati predicts that a hero will be born to rescue them from poverty and famine and will be known as “Ganapath”.
“Dhak Dhak” doesn’t make a show of women’s empowerment; it’s more of a side note. None of these women are out to prove anything to men. Instead, it’s a joyful celebration of womanhood.
Emily Dynevor and Luke Ehrenreich are colleagues at a prominent hedge fund company in the bustling city of New York. Both of them hold positions as analysts within the firm, but there’s a clandestine aspect to their relationship. Then Emily gets a promotion.
The ethos of the story can be summarized as a reflection on the power of perspective, the limitations of preconceived notions, and the complexity of human adaptation to different environments. It challenges the idea that having sight is inherently superior and suggests that what may seem like a disadvantage can be an advantage within a specific context.
Ok-ju is a highly skilled private security contractor who has only one friend in the world, Min-hee, the titular dancer in the film. Ok-ju discovers that her kind and bubbly companion has committed suicide when she visits one night. Min-hee discovers a letter urging Ok-ju to avenge him on her bed.
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