CAST: Shameik Moore as Miles Morales/Spider-Man, Hailee Steinfeld as Gwen Stacy/Spider-Woman, Oscar Isaac as Miguel O’Hara/Spider-Man 2099,Jake Johnson as Peter B. Parker/Spider-Man, Daniel Kaluuya as Hobie Brown/Spider-Man (Spider-Punk), Jason Schwartzman as Spot, Yuri Lowenthal as Peter Parker/Spider-Man (Video Game version), Karan Soni as Spiderman India, Pavitra Prabhakar
DIRECTOR: Joaquim Dos Santos and Kemp Powers.
Is it possible to find a film as boundlessly creative, stylistically daring, and effortlessly cool as Spider-Man: Into the Spider-Verse? Can a sequel ever match the freshness, energy, and visual brilliance of that film? The answer appears to be a resounding yes. Spider-Man: Across the Spider-Verse is absolutely sublime. Every frame of this visually stunning and intricately detailed animation is utterly mesmerizing. It takes the core themes of the first film – the challenges of adolescence, breakdowns in communication, the chaotic journey of self-discovery, and finding one’s tribe – and constructs entire worlds around them. It bombards the senses with a whirlwind of ideas and visual references. It possesses a genuine heart and even throws in a clever font joke.
In terms of both the filmmaking team and the narrative, there’s a delightful combination of original talent and fresh perspectives. Phil Lord and Christopher Miller return as writers and producers, while a new directing team, including Kemp Powers (known for Pixar’s Soul), adds their creative touch. Once again, the story revolves around the bond between fellow Spider-people Miles Morales (Shameik Moore) and Gwen Stacy (Hailee Steinfeld). However, a plethora of new characters, each with their own distinctive appearance, are introduced. There’s Hobie (Daniel Kaluuya), a spider-punk anarchist whose graphic style draws inspiration from Jamie Reid’s Sex Pistols aesthetic and Jamie Hewlett’s Gorillaz.
The film is densely plotted and occasionally overwhelming; Daniel Pemberton’s score contributes to a maze of anxiety. Nevertheless, the movie’s soul lies in the minute human details, such as the way Miles bounces on his toes in anticipation, a reminder that he is still an excited kid at heart. Across The Spider-Verse takes place some time after the events of the first film. Miles is a bit older, a bit more mature, and somewhat melancholic. He misses his Spider-friends from the previous film, who returned to their respective universes once Fisk was defeated, and it was mistakenly believed that the multiverse problem had been resolved. However, as it turns out, the multiverse problems have only just begun. In the sequel, we learn that various villains and monsters can traverse different universes through numerous holes, prompting the formation of a society of Spider-people aiming to patch these breaches. Holes play a significant role in the film, including within one of its villains, Spot (Jason Schwartzman). Leading the Spider Society is a vampire Spider-Man named Miguel O’Hara (Oscar Isaac), a stern and rather unpleasant superhero. When Miles finds himself amidst Spider-People, facing Miguel, he discovers crucial information about the multiverse and his role within it. Things escalate into a wild adventure featuring intense action sequences and mind-bending twists that leave the audience speechless.
Across The Spider-Verse is a beautifully animated film bursting with vibrant colors and inventive artwork. It expands upon everything that made the first movie special, magnifying each moment with its vibrant palette, emotional depth, and captivating sound design. It’s challenging to put into words, but the film maintains the comic book essence of its predecessor while going above and beyond. It can be dizzying at times, but in the best way possible.
As for the story, it ventures into unexpected territories that will leave you amazed. The tightly woven narrative reveals subtle clues along the way that you may have missed (or perhaps, like me, you did miss). One thing is for sure: when you reach the end, you’ll be left craving for more. The performances are exceptional, matching the quality of the animation and writing. We see more of Gwen Stacy (Hailee Steinfeld), which is undoubtedly positive. Returning characters from the first film, including Peter B. Parker (Jake Johnson), appear alongside newcomers like the anarchist punk-rock Spider-Man, Hobie (Daniel Kaluuya), and even the video game version of Spider-Man played by Yuri Lowenthal.
Across The Spider-Verse is an outstanding animated movie, much like its predecessor. It stands as one of the finest superhero films ever made, injecting freshness and novelty into a genre that has grown somewhat stale. The storytelling is superbly crafted, delivering a fresh and new experience. While the plot may be a bit challenging for younger children to follow, they will undoubtedly relish the action, humor, and mind-blowing animation that is truly unparalleled.
Seek out the opportunity to watch it on the most giant screen possible, accompanied by the top-notch sound quality.