“Vedaa” is a film that’s as uneven as it is ambitious. It offers moments of brilliance, particularly in the performances of its leads, but it also leaves you wondering what it could have been with a tighter script and a more focused approach.
Srikanth tells the remarkable story of a young man with exceptional vision and tenacity, yet it doesn’t shy away from depicting the delicate junctures in Bolla’s life.
“LSD 2” unfolds like a frenetic fever dream deliberately crafted to mirror the digital turmoil we navigate daily, and it ominously hints at a dystopian future we are racing toward. Scenes transition rapidly, reflecting our dwindling attention spans, and the camera becomes a colossal symbol of the myriad screens that dominate our lives.
Ani, having lost his vibrant spirit after his father’s death, retreats into himself, leaving Kavya feeling neglected and unimportant. At home, Kavya’s decisive nature overwhelms Ani, while outside, the wandering photographer seeks the domestic warmth Kavya offers, and Nora looks to Ani for support as her career struggles persist.
Chamkila’s story is that of a lower-caste man rising from poverty, an “ordinary man” who knew the power of delivering what his peers sought.
ACP Avinash Verma (Manoj Bajpayee) and his SCU are called upon by the Commissioner of Police to investigate a mass shoot-out at the Night Owl Bar in Mumbai. Layers begin to peel at something bigger, deeper, and darker at play.
The comic takes the stage in a New York City nightclub to skewer pandemic life, quarantines, vaccine cards, celebrity side gigs, smartphones, and more.
From the liquid courage behind his tweets to the sobering realities of making it in Mumbai, the comic pours his heart out, with a heavy dose of humour.
Savi sets off on a mission to save Satya’s life when he gambles away his boss’ money. However, when Satya gets killed, she finds herself in a time loop in order to fix her actions and dodge his death.
Belgian sleuth Hercule Poirot’s Egyptian vacation aboard a glamorous river steamer turns into a terrifying search for a murderer when a picture-perfect couple’s idyllic honeymoon is tragically cut short.
The film kicks off with , singer Aarvi Malhotra (Tara Sutaria), going missing.
The alarm bells begin to ring: the ‘Smiley Killer’ is back with a vengeance. ACP Ganesan (JD Chakravarthy), a self-styled criminal psychologist, alleges that he knows the identity of the masked killer. His colleagues in the police force are not so sure.
Rajkummar is brilliant in his portrayal in especially how naturally he performed the scenes. His obsession with his muscled body and protein shakes seems to erode the stereotype that gay men look effeminate. Bhumi Pednekar is in the skin of Sumi. Her intimate scenes with her girlfriend Rhimjhim (Chum Darang) are extremely aesthetically captured.
What will happen when their significant others come to know about them or when the priorities of their life change?
The social message thriller that templatizes itself through the rage of a common woman who has personal trauma at stake when she takes her tiny tots as hostage to bring to the attention of the Prime Minister of India to an issue that demands her attention.
Good Luck Jerry revolves around a young, innocent girl named Jerry who lives with her widowed mother and a younger sister. To make ends meet, her mother (Mita Vashisht) sells momos while Jerry is a masseuse who is trying to help the family run but doesn’t have her mother’s approval on her professional life. Life takes a tragic turn for Jerry when her mother is diagnosed with lung cancer.
With no money in hand, she crosses paths with a drug supplier who takes her on to supply drugs in Punjab in return for good money.
Director Sanjay Leela bhansali walks the audience through the eyes of Gangubai, who is neither an angel nor the devil but just a common woman who worked her circumstances to create a better work environment for the sex workers.
A series of bloodshed, escapes and deception ensue when Jyothi and Ashu elope together and her family hires a ruthless mercenary to kill the couple.
Manjule, who has written and directed this extremely commendable screenplay divides the narrative into two parts. Before the interval, it lays out the difficult lives of the kids and their circumstances. In the second half, their journey across the wall.
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