“Vedaa” is a film that’s as uneven as it is ambitious. It offers moments of brilliance, particularly in the performances of its leads, but it also leaves you wondering what it could have been with a tighter script and a more focused approach.
Srikanth tells the remarkable story of a young man with exceptional vision and tenacity, yet it doesn’t shy away from depicting the delicate junctures in Bolla’s life.
“LSD 2” unfolds like a frenetic fever dream deliberately crafted to mirror the digital turmoil we navigate daily, and it ominously hints at a dystopian future we are racing toward. Scenes transition rapidly, reflecting our dwindling attention spans, and the camera becomes a colossal symbol of the myriad screens that dominate our lives.
Ani, having lost his vibrant spirit after his father’s death, retreats into himself, leaving Kavya feeling neglected and unimportant. At home, Kavya’s decisive nature overwhelms Ani, while outside, the wandering photographer seeks the domestic warmth Kavya offers, and Nora looks to Ani for support as her career struggles persist.
Chamkila’s story is that of a lower-caste man rising from poverty, an “ordinary man” who knew the power of delivering what his peers sought.
ACP Avinash Verma (Manoj Bajpayee) and his SCU are called upon by the Commissioner of Police to investigate a mass shoot-out at the Night Owl Bar in Mumbai. Layers begin to peel at something bigger, deeper, and darker at play.
“Sajini Shinde Ka Viral Video” oscillates between being a social drama and a detective story. It delves into the frenetic world of social media, addressing critical issues like slut-shaming and the deeply ingrained patriarchy in society.
Hirani presents the complex issue of illegal immigration by touching upon various perspectives, including humanitarian, legal, economic, and social aspects of the debate; often presenting the case for open borders lucidly.
“Joram” is more than a survival drama; it’s a thought-provoking piece on the repercussions of unchecked development on nature and indigenous communities. It’s a film that not only entertains but also invites reflection on pressing environmental and social issues.
Kadak Singh, streaming on Zee5Global, moves back and forth in time and space. It gives the impression of being repetitive and circuitous. A set of people who have seen the man up close – his daughter, a couple of colleagues, and a friend – provide their individual perceptions of the protagonist, Arun Kumar (AK) Srivastava (Pankaj Tripathi) AK, an officer with the Kolkata unit of a financial crime investigation agency, has been diagnosed with retrograde amnesia.
Zoya Akhtar masterfully meets the challenge, transporting the beloved Archie Comics gang from their quintessential small-town American setting to the vibrant backdrop of 1960s India. In this lively Bollywood rendition, the essence of the original comics is preserved while infusing the characters with a refreshing new vitality. This creative shift makes for an exhilarating comedy that honors the spirit of Archie and his friends while adding a novel and delightful twist.
The film ‘Christmas As Usual’ draws inspiration from the real-life love story of Director, Peter Holmsen’s sister, Mia Holmsen, and her husband, Akshay Chaudhry. The narrative is loosely based on events that unfolded when Mia introduced Akshay to her family during Christmas in 2020.
While “Sam Bahadur” presents an engaging series of vignettes from Manekshaw’s life, it falls short in weaving these into a cohesive and deeply insightful story
Ranvijay Singh (played by Ranbir Kapoor) is portrayed as a complex anti-hero, deeply idolizing his father, Balbir Singh (Anil Kapoor). Throughout his childhood, Ranvijay yearns for his father’s affection and approval, but his efforts are met with consistent neglect. This unfulfilled quest for paternal love profoundly impacts his formative years, sowing the seeds of deeper issues that manifest later in his life.
Sukhee’s journey of introspection and rebellion against domestic constraints, much to the dismay of her husband and daughter, forms the crux of the story. The film thoughtfully depicts the dilemma of self-worth versus societal expectations, particularly through the touching interactions between Sukhee and her father-in-law.
The story revolves around Anina (portrayed by Saiyami Kher), a gifted batter who gets the opportunity to play for the Indian cricket team. However, a tragic accident leads to the amputation of her right arm, shattering her dreams. She loses all hope until Padam Singh Sodhi, also known as Paddy (played by Abhishek Bachchan), a former alcoholic bowler of the Indian cricket team, becomes her coach against all odds.
The impulsive Balli represents the twenty-something version of the brigadier from whose book (The Burning Chaffees) the film is adapted. “Pippa” contains enough drama, but it refrains from veering into overly patriotic grandstanding.
“Tiger 3” excels in action and visual presentation but lacks in narrative depth and character development. It’s a movie that will appeal to action enthusiasts and fans of Salman Khan, but may not resonate as deeply with viewers looking for a more balanced cinematic experience.
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