“LSD 2” unfolds like a frenetic fever dream deliberately crafted to mirror the digital turmoil we navigate daily, and it ominously hints at a dystopian future we are racing toward. Scenes transition rapidly, reflecting our dwindling attention spans, and the camera becomes a colossal symbol of the myriad screens that dominate our lives.
Ani, having lost his vibrant spirit after his father’s death, retreats into himself, leaving Kavya feeling neglected and unimportant. At home, Kavya’s decisive nature overwhelms Ani, while outside, the wandering photographer seeks the domestic warmth Kavya offers, and Nora looks to Ani for support as her career struggles persist.
Chamkila’s story is that of a lower-caste man rising from poverty, an “ordinary man” who knew the power of delivering what his peers sought.
ACP Avinash Verma (Manoj Bajpayee) and his SCU are called upon by the Commissioner of Police to investigate a mass shoot-out at the Night Owl Bar in Mumbai. Layers begin to peel at something bigger, deeper, and darker at play.
Freddy and Rocky, two expert soldiers, are court-martialed and expelled from the Army for insubordination. The reasons behind their dismissal are murky and only become clear later in the movie. Meanwhile, Freddy is seen working in an oil mine in a desert, and Rocky is depicted fighting a fire and saving a trapped cat in Delhi.
The titular “monkey man” is a persona of gritty underground fighting embraced by Dev Patel’s character, an unnamed man from the slums who conceals his identity with an ape mask and engages in underground brawls. His backstory, revealed through flashbacks, connects deeply with religious narratives, drawing inspiration from his mother’s (played by Adithi Kalkunte) tales of Hanuman, the monkey-like demigod from the Hindu epic, the Ramayana.
“Joram” is more than a survival drama; it’s a thought-provoking piece on the repercussions of unchecked development on nature and indigenous communities. It’s a film that not only entertains but also invites reflection on pressing environmental and social issues.
Kadak Singh, streaming on Zee5Global, moves back and forth in time and space. It gives the impression of being repetitive and circuitous. A set of people who have seen the man up close – his daughter, a couple of colleagues, and a friend – provide their individual perceptions of the protagonist, Arun Kumar (AK) Srivastava (Pankaj Tripathi) AK, an officer with the Kolkata unit of a financial crime investigation agency, has been diagnosed with retrograde amnesia.
Zoya Akhtar masterfully meets the challenge, transporting the beloved Archie Comics gang from their quintessential small-town American setting to the vibrant backdrop of 1960s India. In this lively Bollywood rendition, the essence of the original comics is preserved while infusing the characters with a refreshing new vitality. This creative shift makes for an exhilarating comedy that honors the spirit of Archie and his friends while adding a novel and delightful twist.
The film ‘Christmas As Usual’ draws inspiration from the real-life love story of Director, Peter Holmsen’s sister, Mia Holmsen, and her husband, Akshay Chaudhry. The narrative is loosely based on events that unfolded when Mia introduced Akshay to her family during Christmas in 2020.
While “Sam Bahadur” presents an engaging series of vignettes from Manekshaw’s life, it falls short in weaving these into a cohesive and deeply insightful story
Ranvijay Singh (played by Ranbir Kapoor) is portrayed as a complex anti-hero, deeply idolizing his father, Balbir Singh (Anil Kapoor). Throughout his childhood, Ranvijay yearns for his father’s affection and approval, but his efforts are met with consistent neglect. This unfulfilled quest for paternal love profoundly impacts his formative years, sowing the seeds of deeper issues that manifest later in his life.
Sukhee’s journey of introspection and rebellion against domestic constraints, much to the dismay of her husband and daughter, forms the crux of the story. The film thoughtfully depicts the dilemma of self-worth versus societal expectations, particularly through the touching interactions between Sukhee and her father-in-law.
The story revolves around Anina (portrayed by Saiyami Kher), a gifted batter who gets the opportunity to play for the Indian cricket team. However, a tragic accident leads to the amputation of her right arm, shattering her dreams. She loses all hope until Padam Singh Sodhi, also known as Paddy (played by Abhishek Bachchan), a former alcoholic bowler of the Indian cricket team, becomes her coach against all odds.
The impulsive Balli represents the twenty-something version of the brigadier from whose book (The Burning Chaffees) the film is adapted. “Pippa” contains enough drama, but it refrains from veering into overly patriotic grandstanding.
“Tiger 3” excels in action and visual presentation but lacks in narrative depth and character development. It’s a movie that will appeal to action enthusiasts and fans of Salman Khan, but may not resonate as deeply with viewers looking for a more balanced cinematic experience.
The remarkable tale revolves around an IPS officer who faced adversity, having failed his class 12 exams, struggled with odd jobs, slept for just three hours each night, and embarked on four attempts to conquer the UPSC exams.
Tejas is an excruciatingly bland thriller that seems to think that selling patriotism can camouflage its glaring flaws.
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