CAST: Manoj Bajpayee, Mohd Zeeshan Ayub, Smita Tambey
DIRECTOR: Devashish Makhija
“Joram,” a compelling Hindi film, presents a raw and lasting tale of survival, intertwined with potent socio-political commentary. It begins with a tribal couple’s serene life in Jhinpindi, Jharkhand, but rapidly shifts to their challenging existence in Mumbai. The story revolves around Dasru Karketta/Bala, masterfully portrayed by Manoj Bajpayee, a tribal man grappling with his wife’s murder and his perilous situation. Fleeing with his infant daughter, Joram, Dasru’s journey is a blend of intense survival drama and confrontation with socio-political realities.
In “Joram,” a construction worker’s world is shattered when his wife is brutally killed, propelling him into a life-threatening crisis. Desperate, he escapes with his infant daughter, embarking on a perilous journey for survival. This escape thrusts him into a battle against his dark history and powerful adversaries determined to destroy him. The film, anchored by Manoj Bajpayee’s riveting portrayal of Dasru Karketta/Bala, immerses viewers in its intensity from the outset. Bajpayee, embodying the essence of a tribal man with face tattoos and profound cultural roots, captivates from his first appearance under the open sky. This opening sequence, featuring a tribal couple’s serene life, sets a foreboding tone, foreshadowing the tumultuous events that follow.
As the narrative unfolds, the movie builds suspense, exploring the couple’s transition to a confined life in Mumbai and Dasru’s tense encounters with political figures. Particularly gripping is a chase scene on a train, highlighting Dasru’s desperate attempt to protect himself and his daughter, Joram, from looming dangers.
Director Devashish Makhija crafts a layered narrative, balancing the tension of Dasru’s escape with deeper themes like tribal exploitation and environmental destruction. The film skillfully navigates these themes without taking a definitive stance, showcasing different perspectives on development and rebellion. Piyush Puty’s cinematography enhances the storytelling, vividly capturing the tribal backdrop and the harrowing journey of a father on the run.
The performances are a standout feature, with Manoj Bajpayee delivering a heart-wrenching portrayal of a father in crisis. Smita Tambe Dwivedi and Mohammed Zeeshan Ayyub offer commendable performances, adding depth to the film’s complex political and emotional landscape. Tannishtha Chatterjee, in a special appearance, leaves a significant impact.
“Joram” is more than a survival drama; it’s a thought-provoking piece on the repercussions of unchecked development on nature and indigenous communities. It’s a film that not only entertains but also invites reflection on pressing environmental and social issues.
