“Vedaa” is a film that’s as uneven as it is ambitious. It offers moments of brilliance, particularly in the performances of its leads, but it also leaves you wondering what it could have been with a tighter script and a more focused approach.
Srikanth tells the remarkable story of a young man with exceptional vision and tenacity, yet it doesn’t shy away from depicting the delicate junctures in Bolla’s life.
“LSD 2” unfolds like a frenetic fever dream deliberately crafted to mirror the digital turmoil we navigate daily, and it ominously hints at a dystopian future we are racing toward. Scenes transition rapidly, reflecting our dwindling attention spans, and the camera becomes a colossal symbol of the myriad screens that dominate our lives.
Ani, having lost his vibrant spirit after his father’s death, retreats into himself, leaving Kavya feeling neglected and unimportant. At home, Kavya’s decisive nature overwhelms Ani, while outside, the wandering photographer seeks the domestic warmth Kavya offers, and Nora looks to Ani for support as her career struggles persist.
Chamkila’s story is that of a lower-caste man rising from poverty, an “ordinary man” who knew the power of delivering what his peers sought.
ACP Avinash Verma (Manoj Bajpayee) and his SCU are called upon by the Commissioner of Police to investigate a mass shoot-out at the Night Owl Bar in Mumbai. Layers begin to peel at something bigger, deeper, and darker at play.
If you are a Bollywood buff, you will laugh your heads off while watching Phone Bhoot because of so many shibboleth only to be appreciated nostalgically by those who are ardent fans of that content.
Transporting us back to a time where renting movies was all the rage, 20th Century Girl, is a South Korean film set in 1999 following Na Bora’s first love story.
Khuddus is a monomaniacal loner with only one friend, Ganeshi (Ranvir Shorey), who fusses over him as would a mother over a truant child. Khuddus does have a brother, Shaukat (Ashwath Bhatt), but when Shaukat drops by Khuddus’s repair shop, where dust shares shelf space with outdated electrical equipment, it is clear that he isn’t welcome.
Ram Setu is an attempt to reiterate the unfounded theory that the limestone shoals that connect the Pamban and Munnar islands are part of a man-made structure and not a natural phenomenon.
In this unbelievable premise that mixes myth, religion, belief, faith and pass it off as realit
Thank God is no Bruce Almighty. Not even in that league. The movie seems to be an attempt to place people’s actions in black and white simplistically and fails at the grays.
The film focuses on the legendary rivalry between local hero Maula Jatt, played by Fawad Khan, and Noori Natt, played by Abbasi, the leader of a brutal gang.
In the course of his acceptance of the fact that Gynecology could be a plausible career choice for him, Uday’s character undergoes a lot of evolution because of the women around him – his infatuation with a co-worker, his mother and the underage girl-friend of his married, older idol cousin.
Written and directed by Ribhu Dasgupta, Code Name :Tiranga follows an undercover agent Ismat/Durga who marries a civilian Dr. Mirza Ali as part of her plans to capture Omar in Turkey.
In Goodbye, writer-director Vikas Bahl delves into how different people have different ways of coping with sorrow. When Harish (Amitabh Bachchan) loses his wife Gayatri (Neena Gupta), he faces a “bhagbhanish’ situation where his his children are busy with their work or their social life, and the neighbors are more interested in gossip and providing obligatory and unsolicited advice.
Though Maja Ma deals with several sensitive themes pertaining to family, sexuality and personal choice it does not offer any nuanced narrative to unravel the loops. Infact, it prefers a boring, easy way out
Minhaj starts with the story of how he and his wife struggled to get pregnant which was around the same time that Minhaj was transitioning out of his role at The Daily Show and moving into Patriot Act, which were both opportunities that allow him to lean into a side of himself that is both successful and self-destructive.
Medieval princes, vengeful lovers, and a kingdom under threat. Ponniyin Selvan: 1 brings Kalki Krishnmurthy’s novel to life but it requires a 5-year history lesson to follow along.
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