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AMEEN SAYANI PASSES AWAY AT 91

Ameen Sayani, a legendary figure in Indian radio, passed away in Mumbai at the age of 91 after suffering a heart attack, as confirmed by his son, Rajil Sayani.

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CRAKK IS SO CRACKED UP THAT IT CRACKED US UP

Directed by Aditya Datt, “Crakk: Endgame” promises an adrenaline-pumping ride through the world of extreme sports, interlaced with a narrative of international espionage, underground competitions, and a deeply personal quest for revenge. Jammwal, who is known for his physical prowess and ability to perform death-defying stunts without a double, plays the protagonist with a tormented past, seeking redemption and justice in a world brimming with corruption and deceit.

“ONE THE WOMAN” IS FAST PACED, FUNNY AND A ROLLERCOASTER THRILLER

Yeon Joo is an elite prosecutor who started from the bottom. Although known as the best in corruption investigations for the Supreme Prosecutor’s Office, she suffers amnesia after a car crash when chasing a suspect. As she wakes, she finds herself being Kang Mi Na, the daughter-in-law of the conglomerate Hanju Group.

BHUMI PEDNEKAR’S “BHAKSHAK” IS HONEST YET UNIMPACTFUL

Vaishali Singh (Pednekar), a local video journalist, along with her cameraman Bhaskar Sinha (Mishra), stumbles upon alarming evidence concerning a girls’ shelter in Munnawarpur—a name thinly veiled to represent the actual location. Initially hesitant, Vaishali’s investigative zeal is ignited, leading her to embark on a thorough inquiry.

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UNVEILING DUNKI DIARIES: SHAHRUKH KHAN DOES A DEEP DIVE

The three trio of the film—Rajkumar Hirani, SRK, and Taapsee Pannu—came together for Dunki Dairies, where they all gave some interesting answers on the highly anticipated Dunki and engaged in the fun banter that is sure to win everyone’s hearts.

“I SWORE I WILL NOT DO ACTION AGAIN”, JI CHANG WOOK HAD DECIDED NOT TO SHOOT ACTION SCENES AFTER THE K2

When discussing his character in “The Worst of Evil,” Ji Chang Wook provided insights into his approach, stating, “As I portrayed Park Joon Mo, who was undercover, I aimed to heighten the crisis and internal conflict he experienced. I deliberately excluded the typical moral beliefs and values expected of a drama protagonist and instead focused on his greed and inferiority complex. My intention was to vividly depict the process of this character falling apart.”

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