Shetty, known for his larger-than-life cop dramas, doesn’t let the small screen cramp his style, which is perhaps a misfit in the first place. Streamers are supposed to elevate small creator content, but with a pack of big, known names, this series overpromises and under-delivers.
Merry Christman loosely adapts the work of French crime fiction author Frederic Dard, specifically his book “Le Monte-charge,” known in English as “Bird in a Cage.” The story finds a fitting setting in the Christian neighborhoods of 1980s Bombay, with the title symbolically reflecting elements of entrapment and fluctuation central to the plot.
In the series, Konkona Sensharma portrays Swathi, an aspiring restaurateur with a peculiar obsession: she is determined to perfect her paya soup recipe for her husband Prabhakar ‘Prabhu’ Shetty, played by Manoj Bajpayee.
The Brothers Sun constructs a wild rollercoaster of criminal antics. While “The Brothers Sun” doesn’t carve out a completely unique style, it adeptly borrows elements from renowned influences like Edgar Wright, John Wick, and Jackie Chan, evident in its action sequences, rhythm, and humor.
Shailaja, a middle-aged Mumbaikar, while faced with borderline dementia, asks her husband Dipankar (Swanand Kirkire) to accompany her on a trip to Vengurla, a sleepy hamlet in Maharashtra’s Sindhudurg.
The trio of Imaad Ali (played by Siddhant Chaturvedi), Ahana Singh (Ananya Panday), and Neil Pereira (Adarsh Gourav) are in their 20s, inseparable friends living in a fragile bubble that’s close to bursting. Despite a bustling social life and thrilling adventures, beneath the surface, they’re isolated individuals grappling with an array of issues.
Across its six-episode prelude to his legacy, the show effectively compiles years of research and scrutinized material into a compelling narrative, capturing the inherent duality and perplexing reality of a cultural figure often painted with broad strokes.
“Sajini Shinde Ka Viral Video” oscillates between being a social drama and a detective story. It delves into the frenetic world of social media, addressing critical issues like slut-shaming and the deeply ingrained patriarchy in society.
Hirani presents the complex issue of illegal immigration by touching upon various perspectives, including humanitarian, legal, economic, and social aspects of the debate; often presenting the case for open borders lucidly.
“Joram” is more than a survival drama; it’s a thought-provoking piece on the repercussions of unchecked development on nature and indigenous communities. It’s a film that not only entertains but also invites reflection on pressing environmental and social issues.
Marie-Laure LeBlanc, portrayed by Aria Mia Loberti, is a visually impaired teenager in France. Every night, she runs an unauthorized radio broadcast, hoping to find her lost father, Daniel, played by Mark Ruffalo, who previously managed the locks at Paris’ Museum of Natural History, or to connect with her uncle Etienne, a character by Hugh Laurie, involved in the French Resistance.
Kadak Singh, streaming on Zee5Global, moves back and forth in time and space. It gives the impression of being repetitive and circuitous. A set of people who have seen the man up close – his daughter, a couple of colleagues, and a friend – provide their individual perceptions of the protagonist, Arun Kumar (AK) Srivastava (Pankaj Tripathi) AK, an officer with the Kolkata unit of a financial crime investigation agency, has been diagnosed with retrograde amnesia.
Zoya Akhtar masterfully meets the challenge, transporting the beloved Archie Comics gang from their quintessential small-town American setting to the vibrant backdrop of 1960s India. In this lively Bollywood rendition, the essence of the original comics is preserved while infusing the characters with a refreshing new vitality. This creative shift makes for an exhilarating comedy that honors the spirit of Archie and his friends while adding a novel and delightful twist.
Saiyami Kher talks to us about her movie Ghoomer. her movies and plans.
The film ‘Christmas As Usual’ draws inspiration from the real-life love story of Director, Peter Holmsen’s sister, Mia Holmsen, and her husband, Akshay Chaudhry. The narrative is loosely based on events that unfolded when Mia introduced Akshay to her family during Christmas in 2020.
While “Sam Bahadur” presents an engaging series of vignettes from Manekshaw’s life, it falls short in weaving these into a cohesive and deeply insightful story
Ranvijay Singh (played by Ranbir Kapoor) is portrayed as a complex anti-hero, deeply idolizing his father, Balbir Singh (Anil Kapoor). Throughout his childhood, Ranvijay yearns for his father’s affection and approval, but his efforts are met with consistent neglect. This unfulfilled quest for paternal love profoundly impacts his formative years, sowing the seeds of deeper issues that manifest later in his life.
Sukhee’s journey of introspection and rebellion against domestic constraints, much to the dismay of her husband and daughter, forms the crux of the story. The film thoughtfully depicts the dilemma of self-worth versus societal expectations, particularly through the touching interactions between Sukhee and her father-in-law.
The series commendably tries to shine a light on the lesser-known facets of the Bhopal disaster, focusing on the railway officials’ response. Yet, in its quest to be both informative and engaging, it sometimes struggles to maintain a consistent tone, veering between documentary realism and dramatic embellishment.
The story revolves around Anina (portrayed by Saiyami Kher), a gifted batter who gets the opportunity to play for the Indian cricket team. However, a tragic accident leads to the amputation of her right arm, shattering her dreams. She loses all hope until Padam Singh Sodhi, also known as Paddy (played by Abhishek Bachchan), a former alcoholic bowler of the Indian cricket team, becomes her coach against all odds.
The impulsive Balli represents the twenty-something version of the brigadier from whose book (The Burning Chaffees) the film is adapted. “Pippa” contains enough drama, but it refrains from veering into overly patriotic grandstanding.
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