OUR SHOWS

PERFECT MARRIAGE REVENGE BRINGS ALL THE REVENGE DRAMA BLEND TO THE SCREEN

Betrayed by her husband, who is in love with her sister, and unloved by her family, Han Yi Joo has an accident and dies. But she wakes up to find herself back in time when she was engaged to Jung Se Hyeok. To change her fate and take revenge on her family, she breaks off her engagement to Jung Se Hyeok. She then approaches Seo Do Guk, whom her younger sister Han Yoo Ra wants to marry.

IN NETFLIX’S DOONA ! , THE HEROINE GETS TO SAVE HERSELF

When Joon moves into his new apartment on his first day of college, he wasn’t expecting beautiful ex-celebrity Duna to be living downstairs. Joon tries to avoid her at first but finds himself growing more and more curious about her mysterious life.

ALL THAT IS WORTHWHILE IN GANAPATH IS TIGER’S ABS

Thalapati (Amitabh Bachchan), tells us how a destructive war led to the world being divided into two parts – one with the rich and powerful building a luxurious, high-tech Silver City ruled by their heartless king Dalini, and the other with the poor and powerless living in poverty called “Gareebo ki duniya”. Dalapati predicts that a hero will be born to rescue them from poverty and famine and will be known as “Ganapath”.

DHAK DHAK IS A JOYRIDE WITH A FEW HUGE BUMPS

“Dhak Dhak” doesn’t make a show of women’s empowerment; it’s more of a side note. None of these women are out to prove anything to men. Instead, it’s a joyful celebration of womanhood.

“A GOOD DAY TO BE A DOG” IS DELIGHFUL IN ITS ABSURDITY

Han Hae Na is a single high school teacher with a family secret. Due to an ancestor’s fault, Han Hae Na’s family has been cursed for generations. When someone in her family kisses anyone, they turn into a dog at midnight for six hours. Afterwards, they revert back to their normal appearance. This transformation repeats itself every night until that person, in their dog appearance, kisses the same person. Drunk one night, Han Hae Na accidentally kisses Jin Seo Won, a teacher at the same high school, though they aren’t even close as colleagues. Han Hae Na soon panics and persistently approaches Seo Won for a chance at another kiss. However, Jin Seo Won has a fear of dogs.

CUTE, FUNNY, QUIRKY : STRONG GIRL NAM-SOON IS A RIOT

Strong Woman Kang Nam Soon delves into the life of a girl who goes missing while her parents travel to Mongolia. After some time passes, she returns to South Korea in search of her long-lost parents. Subsequently, she meets her mother and grandmother and becomes entangled in a drug investigation case.

RAHAT KAZMI’S “COUNTRY OF BLIND” IS A COMPACT DYNAMO OF AN INDIE

The ethos of the story can be summarized as a reflection on the power of perspective, the limitations of preconceived notions, and the complexity of human adaptation to different environments. It challenges the idea that having sight is inherently superior and suggests that what may seem like a disadvantage can be an advantage within a specific context.

NETFLIX’S BALLERINA ACES AT SATISFYING ACTION IN A REVENGE FLICK

Ok-ju is a highly skilled private security contractor who has only one friend in the world, Min-hee, the titular dancer in the film. Ok-ju discovers that her kind and bubbly companion has committed suicide when she visits one night. Min-hee discovers a letter urging Ok-ju to avenge him on her bed.

PRIME VIDEO’S MUMBAI DIARIES FEELS LIKE A RUSHED JOB IN ITS SECOND SEASON

Dr. Kaushik Oberoi, portrayed by Mohit Raina, finds himself immersed in a troubling court case that not only questions his professional competence but also challenges his patriotism. Meanwhile, his expectant wife, played by Tina Desai, grapples with a mix of happiness and anxiety as they anticipate the arrival of a new family member.

NETFLIX’S CHOONA IS TOO CONVOLUTED FOR AUDIENCE ATTENTION

A powerful gangster who transitions into politics is deeply superstitious and teetering on the edge of delusion. As he rises to prominence, he accumulates adversaries who eventually unite against him, orchestrating a devastating heist within his domain.

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