Once rivals in school, two brilliant doctors reunite by chance – each facing life’s worst slump and unexpectedly finding solace in each other.
When dramaland’s typical chaebol playboy winds up on a detective squad, he uses his enormous wealth, powerful connections — and crazy charisma — to take down baddies. But will he ever be able to get along with the by-the-books veteran detective that runs his squad?
This film seems torn between its aspirations for realism, evident in the meticulous depiction of Air Force life and a stunning mid-movie aerial display reminiscent of the best ‘Top Gun’ moments, and the urge to cater to crowd-pleasing nationalism with heavy-handed dialogues.
Shetty, known for his larger-than-life cop dramas, doesn’t let the small screen cramp his style, which is perhaps a misfit in the first place. Streamers are supposed to elevate small creator content, but with a pack of big, known names, this series overpromises and under-delivers.
Merry Christman loosely adapts the work of French crime fiction author Frederic Dard, specifically his book “Le Monte-charge,” known in English as “Bird in a Cage.” The story finds a fitting setting in the Christian neighborhoods of 1980s Bombay, with the title symbolically reflecting elements of entrapment and fluctuation central to the plot.
In the series, Konkona Sensharma portrays Swathi, an aspiring restaurateur with a peculiar obsession: she is determined to perfect her paya soup recipe for her husband Prabhakar ‘Prabhu’ Shetty, played by Manoj Bajpayee.
Qian Heng (portrayed by Chen Xingxu), who established the Junheng Law Firm, finds himself returning to his modest, somewhat dilapidated early home due to persistent insomnia. However, he is shocked to discover that his landlord has doubled up on the lease, and his new roommate is none other than Cheng Yao (played by Zhang Ruonan), a fresh face at his firm
The Brothers Sun constructs a wild rollercoaster of criminal antics. While “The Brothers Sun” doesn’t carve out a completely unique style, it adeptly borrows elements from renowned influences like Edgar Wright, John Wick, and Jackie Chan, evident in its action sequences, rhythm, and humor.
Shailaja, a middle-aged Mumbaikar, while faced with borderline dementia, asks her husband Dipankar (Swanand Kirkire) to accompany her on a trip to Vengurla, a sleepy hamlet in Maharashtra’s Sindhudurg.
Cheon Sang-Hyeok (Jang Dong-Yoon), in his 28th earthly reincarnation as a Korean restaurant owner. Despite being centuries old and on a mission to mend his charred wings, he retains the elusive allure of Cupid, ironically making him distant to women. Opposite him is NANA’s Oh Baek-Lyeon, the stunning but love-cursed veterinarian, dubbed the “Seo Ye-Ji of Guji-dong” for her beauty. Her ill-fated love life has earned her the moniker of a “love repellent,” adding a twist to her otherwise enviable life.
When Ji-won, a 37-year-old cancer patient, walks in on her husband and best friend, she realizes her whole life has been a lie. What’s worse, she dies a tragic death at the hands of her husband and best friend.
The trio of Imaad Ali (played by Siddhant Chaturvedi), Ahana Singh (Ananya Panday), and Neil Pereira (Adarsh Gourav) are in their 20s, inseparable friends living in a fragile bubble that’s close to bursting. Despite a bustling social life and thrilling adventures, beneath the surface, they’re isolated individuals grappling with an array of issues.
Across its six-episode prelude to his legacy, the show effectively compiles years of research and scrutinized material into a compelling narrative, capturing the inherent duality and perplexing reality of a cultural figure often painted with broad strokes.
In Spring 1945 in Gyeongseong, during Japanese rule over Korea, two young adults confront a strange creature born of greed, and battle against it for survival.
“Sajini Shinde Ka Viral Video” oscillates between being a social drama and a detective story. It delves into the frenetic world of social media, addressing critical issues like slut-shaming and the deeply ingrained patriarchy in society.
Hirani presents the complex issue of illegal immigration by touching upon various perspectives, including humanitarian, legal, economic, and social aspects of the debate; often presenting the case for open borders lucidly.
“Maestra: Strings of Truth” promises a blend of mystery, workplace drama, and intricate character dynamics, appealing to a diverse audience with its mix of melodrama, intrigue, and musical passion. The first episode sets a fast-paced, action-packed tone, offering a fresh take on the original French series “Philharmonia.”
“The Last Immortal” seems to resonate well with many viewers for its high production quality, engaging storyline, and character development, though it faces some criticism for its predictability and character dynamics.
“Derailment” stands out for its unique premise and the high expectations stemming from its literary origin. While the show seems to have its strengths in its plot and thematic elements, as episodes stream; the intrigue of the story deepens.
“Joram” is more than a survival drama; it’s a thought-provoking piece on the repercussions of unchecked development on nature and indigenous communities. It’s a film that not only entertains but also invites reflection on pressing environmental and social issues.
Marie-Laure LeBlanc, portrayed by Aria Mia Loberti, is a visually impaired teenager in France. Every night, she runs an unauthorized radio broadcast, hoping to find her lost father, Daniel, played by Mark Ruffalo, who previously managed the locks at Paris’ Museum of Natural History, or to connect with her uncle Etienne, a character by Hugh Laurie, involved in the French Resistance.
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