REVIEWS

DIMMING THE LIGHT: A REVIEW OF NETFLIX’S “ALL THE LIGHT WE CANNOT SEE”

Marie-Laure LeBlanc, portrayed by Aria Mia Loberti, is a visually impaired teenager in France. Every night, she runs an unauthorized radio broadcast, hoping to find her lost father, Daniel, played by Mark Ruffalo, who previously managed the locks at Paris’ Museum of Natural History, or to connect with her uncle Etienne, a character by Hugh Laurie, involved in the French Resistance.

JUN HO’S CRIME SERIES “CONFESSION” DESERVES MORE LOVE

“Confession” is a well-crafted drama that offers a compelling mix of courtroom intrigue, personal drama, and a deeper look into corruption and moral dilemmas. Its strong performances, particularly by Junho and Yoo Jae Myung, and its intricate plot make it a recommended watch for fans of Korean dramas, especially those interested in legal and crime genres.

PANKAJ TRIPATHI HOLDS “KADAK SINGH” TOGETHER

Kadak Singh, streaming on Zee5Global, moves back and forth in time and space. It gives the impression of being repetitive and circuitous. A set of people who have seen the man up close – his daughter, a couple of colleagues, and a friend – provide their individual perceptions of the protagonist, Arun Kumar (AK) Srivastava (Pankaj Tripathi) AK, an officer with the Kolkata unit of a financial crime investigation agency, has been diagnosed with retrograde amnesia.

ZOYA AKHTAR’S “THE ARCHIES” IS THE ADAPTATION WE ALL HAVE BEEN WAITING FOR

Zoya Akhtar masterfully meets the challenge, transporting the beloved Archie Comics gang from their quintessential small-town American setting to the vibrant backdrop of 1960s India. In this lively Bollywood rendition, the essence of the original comics is preserved while infusing the characters with a refreshing new vitality. This creative shift makes for an exhilarating comedy that honors the spirit of Archie and his friends while adding a novel and delightful twist.

NETFLIX’S “CHRISTMAS AS USUAL” IS A WARM, CULTURAL HOTCH POTCH

The film ‘Christmas As Usual’ draws inspiration from the real-life love story of Director, Peter Holmsen’s sister, Mia Holmsen, and her husband, Akshay Chaudhry. The narrative is loosely based on events that unfolded when Mia introduced Akshay to her family during Christmas in 2020.

MILES WEI PLAYS THE SAME CHARACTER -TYPE AGAIN IN “I MAY LOVE YOU”

Screenwriter Tang Xin has been in love with her manager Tang Yu—even though he is smitten with her best friend! When she finally confesses to him, he rejects her. Crestfallen, Tang Xin decides to turn over a new leaf – and hands in her resignation. But Tang Yu doesn’t want Tang Xin to leave the company, and tries to convince her to stay.

RANBIR KAPOOR IS BRILLIANTLY UNHINGED IN “ANIMAL” EVEN WHEN THE RUNTIME TESTS OUR PATIENCE

Ranvijay Singh (played by Ranbir Kapoor) is portrayed as a complex anti-hero, deeply idolizing his father, Balbir Singh (Anil Kapoor). Throughout his childhood, Ranvijay yearns for his father’s affection and approval, but his efforts are met with consistent neglect. This unfulfilled quest for paternal love profoundly impacts his formative years, sowing the seeds of deeper issues that manifest later in his life.

TIME TRAVEL COMES WITH ROMANCE IN “THE STORY OF PARK’S MARRIAGE CONTRACT”

“The Story Of Park’s Marriage Contract” seems to offer a rich tapestry of themes, including time travel, romance, and the exploration of freedom across different eras. The series promises to be a captivating watch for those interested in a blend of historical depth and modern-day drama, underscored by a magical realism that bridges the gap between past and present.

SONG KANG’S NETFLIX SHOW “MY DEMON” IS A WINNER STRAIGHT OFF THE BAT

My Demon sets up a compelling narrative, balancing comedic moments with a sense of mystery and suspense. Song Kang’s performance as Gu-won stands out, offering a departure from his usual roles and adding depth to the character. The show promises strong storytelling, provided it maintains focus and avoids becoming mired in too many subplots.

SHILPA SHETTY’S “SUKHEE” IS A DELIGHTFUL DISCOVERY

Sukhee’s journey of introspection and rebellion against domestic constraints, much to the dismay of her husband and daughter, forms the crux of the story. The film thoughtfully depicts the dilemma of self-worth versus societal expectations, particularly through the touching interactions between Sukhee and her father-in-law.

“FEARLESS” SCORES WITH IT’S INTRICATE STORY ABOUT LEGAL BATTLES AND PERSONAL STRUGGLES

Originally an office worker, Luo Ying Wei achieved the remarkable feat of passing the judicial examination through self-study. Yet, life throws her curveballs as her marriage crumbles, and to add to her woes, her husband Liu Ming accumulates massive debts, leaving her financially burdened. Despite these challenges, Luo Ying Wei’s spirit remains unbroken as she opts to confront her troubles head-on, armed with her legal knowledge.

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