RED WHITE AND BROWN

AARYA 3 ALMOST RUNS OUT OF MOMENTUM DESPITE A SPECTACULAR SUSHMITA SEN

In Season 3, Sushmita evolves from the frightened mother portrayed in the initial seasons into a formidable matriarch. This shift is rendered believable and seamless through her portrayal, imbued with a commanding presence born of newly embraced authority. Yet, she skillfully allows glimpses of the vulnerable Aarya to emerge intermittently, ensuring her origins are not forgotten.

ALL THAT IS WORTHWHILE IN GANAPATH IS TIGER’S ABS

Thalapati (Amitabh Bachchan), tells us how a destructive war led to the world being divided into two parts – one with the rich and powerful building a luxurious, high-tech Silver City ruled by their heartless king Dalini, and the other with the poor and powerless living in poverty called “Gareebo ki duniya”. Dalapati predicts that a hero will be born to rescue them from poverty and famine and will be known as “Ganapath”.

DHAK DHAK IS A JOYRIDE WITH A FEW HUGE BUMPS

“Dhak Dhak” doesn’t make a show of women’s empowerment; it’s more of a side note. None of these women are out to prove anything to men. Instead, it’s a joyful celebration of womanhood.

RAHAT KAZMI’S “COUNTRY OF BLIND” IS A COMPACT DYNAMO OF AN INDIE

The ethos of the story can be summarized as a reflection on the power of perspective, the limitations of preconceived notions, and the complexity of human adaptation to different environments. It challenges the idea that having sight is inherently superior and suggests that what may seem like a disadvantage can be an advantage within a specific context.

PRIME VIDEO’S MUMBAI DIARIES FEELS LIKE A RUSHED JOB IN ITS SECOND SEASON

Dr. Kaushik Oberoi, portrayed by Mohit Raina, finds himself immersed in a troubling court case that not only questions his professional competence but also challenges his patriotism. Meanwhile, his expectant wife, played by Tina Desai, grapples with a mix of happiness and anxiety as they anticipate the arrival of a new family member.

NETFLIX’S CHOONA IS TOO CONVOLUTED FOR AUDIENCE ATTENTION

A powerful gangster who transitions into politics is deeply superstitious and teetering on the edge of delusion. As he rises to prominence, he accumulates adversaries who eventually unite against him, orchestrating a devastating heist within his domain.

VICKY KAUSHAL’S “THE GREAT INDIAN FAMILY” IS POINTLESS

“The Great Indian Family” struggles to confront the challenges within its own narrative. It sanitizes the pervasive atmosphere of casual violence and distrust towards Muslims in the country, presenting it as a temporary predicament for its Hindu protagonist.

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